We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Tender Buttons

by MASSIMO GIUNTOLI

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €7 EUR  or more

     

  • Compact Disc (CD) + Digital Album

    The CD of Tender Buttons, with a bonus track and a 12 pages booklet containing all Gertrude Stein's poems set to music in this album.

    Includes unlimited streaming of Tender Buttons via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      €12 EUR or more 

     

1.
A Box 02:11
Out of kindness comes redness and out of rudeness comes rapid same question, out of an eye comes research, out of selection comes painful cattle. So then the order is that a white way of being round is something suggesting a pin and is it disappointing, it is not, it is so rudimentary to be analysed and see a fine substance strangely, it is so earnest to have a green point not to red but to point again.
2.
Objects 02:06
Within, within the cut and slender joint alone, with sudden equals and no more than three, two in the centre make two one side. If the elbow is long and it is filled so then the best example is all together. The kind of show is made by squeezing.
3.
Book 04:26
Book was there, it was there. Book was there. Stop it, stop it, it was a cleaner, a wet cleaner and it was not where it was wet, it was not high, it was directly placed back, not back again, back it was returned, it was needless, it put a bank, a bank when, a bank care. Suppose a man a realistic expression of resolute reliability suggests pleasing itself white all white and no head does that mean soap. It does not so. It means kind wavers and little chance to beside beside rest. A plain. Suppose ear rings that is one way to breed, breed that. Oh chance to say, oh nice old pole. Next best and nearest a pillar. Chest not valuable, be papered. Cover up cover up the two with a little piece of string and hope rose and green, green. Please a plate, put a match to the seam and really then really then, really then it is a remark that joins many many lead games. It is a sister and sister and a flower and a flower and a dog and a colored sky a sky colored grey and nearly that nearly that let.
4.
Eggs 02:53
Kind height, kind in the right stomach with a little sudden mill. Cunning shawl, cunning shawl to be steady. In white in white handkerchiefs with little dots in a white belt all shadows are singular they are singular and procured and relieved. No that is not the cows shame and a precocious sound, it is a bite. Cut up alone the paved way which is harm. Harm is old boat and a likely dash.
5.
Single Fish 02:13
Single fish single fish single fish egg-plant single fish sight. A sweet win and not less noisy than saddle and more ploughing and nearly well painted by little things so. Please shade it a play. It is necessary and beside the large sort is puff. Every way oakly, please prune it near. It is so found. It is note the same.
6.
Cake 04:19
Cake cast in went to be and needles wine needles are such. This is to-day. A can experiment is that which makes a town, makes a town dirty, it is little please. We came back. Two bore, bore what, a mussed ash, ash when there is tin. This meant cake. It was a sign. Another time there was extra a hat pin sought long and this dark made a display. The result was yellow. A caution, not a caution to be. It is no use to cause a foolish number. A blanket stretch a cloud, a shame, all that bakery can tease, all that is beginning and yesterday yesterday we had it met. It means some change. No some day. A little leaf upon a scene an ocean any where there, a bland and likely in the stream a recollection green land. Why white.
7.
A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.
8.
What was the use of not leaving it there where it would hang what was the use if there was no chance of ever seeing it come there and show that is was handsome and right in the way it showed it. The lesson is to learn that it does show it, that is shows it and that nothing, that there is nothing, that there is no more to do about it and just so much more is there plenty of reason for making an exchange.
9.
A Piano 02:17
If the speed is open, if the color is careless, if the selection of a strong scent is not awkward, if the button holder is held by all the waving color and there is no color, not any color. If there is no dirt in a pin and there can be non scarcely, if there is not then the place is the same as up standing. This is no dark custom and it even is not acted in any such a way that a restraint is not spread. That is spread, it shuts and it lifts and awkwardly not awkwardly the centre is in standing.
10.
A Red Hat 02:04
A dark grey, a very dark grey, a quite dark grey is monstrous ordinarily, it is so monstrous because there is no red in it. If red is in everything it is not necessary. Is that not an argument for any use of it and even so is there any place that is better, is there any place that has so much stretched out.
11.
Vegetable 02:29
What is cut. What is cut by it. What is cut by it in. It was a cress a crescent a cross and an unequal scream, it was upslanting, it was radiant and reasonable with little ins and red. News. News capable of glees, cut in shoes, belike under plump of wide chalk, all this combing.
12.
Orange 1 01:57
Why is a feel oyster an egg stir. Why is it orange centre. A show at tick and loosen loosen it so to speak sat. It was an extra leaker with a see spoon, it was an extra licker with a see spoon.
13.
Orange 2 00:26
A type oh oh new new not no not knealer knealer of old show beef-steak, neither neither.
14.
Oranges 00:22
Build is all right.
15.
Orange In 01:50
Go lack go lack use to her. Cocoa and clear soup and oranges and oat-meal. Whist bottom whist close, whist clothes, woodling. Cocoa and clear soup and oranges and oat-meal. Pain soup, suppose it is question, suppose it is butter, real is, real is only, only excreate, only excreate a no since. A no, a no since, a no since when, a no since when since, a no since when since a no since when since, a no since, a no since when since, a no since, a no, a no since a no since, a no since, a no since.
16.
No cup is broken in more places and mended, that is to say a plate is broken and mending does do that it shows that culture is Japanese. It shows the whole element of angels and orders. It does more to choosing and it does more to that ministering counting. It does, it does change in more water. Supposing a single piece is a hair supposing more of them are orderly, does that show that strength, does that show that joint, does that show that balloon famously. Does it.
17.
Leaves in grass and mow potatoes, have a skip, hurry you up flutter. Suppose it is ex a cake suppose it is new mercy and leave charlotte and nervous bed rows. Suppose it is meal. Suppose it is sam.
18.
A little called anything shows shudders. Come and say what prints all day. A whole few watermelon. There is no pope. No cut in pennies and little dressing and choose wide soles and little spats really little spices. A little lace makes boils. This is not true. Gracious of gracious and a stamp a blue green white bow a blue green lean, lean on the top. If it is absurd then it is leadish and nearly set in where there is a tight head. A peaceful life to arise her, noon and moon and moon. A letter a cold sleeve a blanket a shaving house and nearly the best and regular window. Nearer in fairy sea, nearer and farther, show white has lime in sight, show a stitch of ten. Count, count more so that thicker and thicker is leaning. I hope she has her cow. Bidding a wedding, widening received treading, little leading mention nothing. Cough out cough out in the leather and really feather it is not for. Please could, please could, jam it not plus more sit in when.

about

words by Gertrude Stein
music by Massimo Giuntoli

credits

released May 27, 2020

Massimo Giuntoli: piano, keyboards, voice

Recorded and mixed by Massimo Giuntoli at Fratto Studio 2
Mastered by Diego Bergamini at Reparto Elettroacustica Studio

Molkaya Rec - MR002 - ADN/ReR Italia - DNN 022 C
© 2020

license

all rights reserved

tags

about

Massimo Giuntoli Milan, Italy

Composer and performer, he began his career in the late seventies. Openly inspired by Frank Zappa, Aaron Copland and the "school of Canterbury," Massimo Giuntoli has developed his own musical language characterized by an uninhibited fluctuation between academy and a very heterogeneous range of extremely refined languages. ... more

contact / help

Contact Massimo Giuntoli

Streaming and
Download help

Report this album or account

If you like Tender Buttons, you may also like: